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Nascent Drama

The duke was thinking he'd been doing pretty well till the king come to show up, but after that he didn't think so so much. He had set up and printed off two little jobs for farmers in that printing-office -- horse bills -- and took the money, four dollars. And he had got in ten dollars' worth of advertisements for the paper, which he said he would put in for four dollars if they would pay in advance -- so they done it. The price of the paper was two dollars a year, but he took in three subscriptions for half a dollar apiece on condition of them paying him in advance; they were going to pay in cordwood and onions as usual, but he said he had just bought the concern and knocked down the price as low as he could afford it, and was going to run it for cash. He set up a little piece of poetry, which he made, himself, out of his own head -- three verses -- kind of sweet and saddish -- the name of it was, "Yes, crush, cold world, this breaking heart" -- and he left that all set up and ready to print in the paper, and didn't charge nothing for it. Well, he took in nine dollars and a half, and said he'd done a pretty square day's work for it.
 
Then he showed us another little job he'd printed and hadn't charged for, because it was for us. It had a picture of a runaway nigger with a bundle on a stick over his shoulder, and "$200 reward" under it. The reading was all about Jim, and just described him to a dot. It said he run away from St. Jacques' plantation, forty mile below New Orleans, last winter, and likely went north, and whoever would catch him and send him back he could have the reward and expenses.
 
"Now," says the duke, "after to-night we can run in the daytime if we want to. Whenever we see anybody coming we can tie Jim hand and foot with a rope, and lay him in the wigwam and show this handbill and say we captured him up the river, and were too poor to travel on a steamboat, so we got this little raft on credit from our friends and are going down to get the reward. Handcuffs and chains would look still better on Jim, but it wouldn't go well with the story of us being so poor. Too much like jewelry.
 
We all said the duke was pretty smart, and there couldn't be no trouble about running daytimes. We judged we could make miles enough that night to get out of the reach of the powwow we reckoned the duke's work in the printing office was going to make in that little town; then we could boom right along if we wanted to.
 
We laid low and kept still, and never shoved out till nearly ten o'clock; then we slid by, pretty wide away from the town, and didn't hoist our lantern till we was clear out of sight of it.
 
"Well," says he, "dat's all right, den. I doan' mine one er two kings, but dat's enough. Dis one's powerful drunk, en de duke ain' much better."
 
I found Jim had been trying to get him to talk French, so he could hear what it was like; but he said he had been in this country so long, and had so much trouble, he'd forgot it.
 
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IT was after sun-up now, but we went right on and didn't tie up. The king and the duke turned out by and by looking pretty rusty; but after they'd jumped overboard and took a swim it chippered them up a good deal. After breakfast the king he took a seat on the corner of the raft, and pulled off his boots and rolled up his britches, and let his legs dangle in the water, so as to be comfortable, and lit his pipe, and went to getting his Romeo and Juliet by heart. When he had got it pretty good him and the duke begun to practice it together. The duke had to learn him over and over again how to say every speech; and he made him sigh, and put his hand on his heart, and after a while he said he done it pretty well; "only," he says, "you mustn't bellow out Romeo! that way, like a bull -- you must say it soft and sick and languishy, so -- R-o-o-meo! that is the idea; for Juliet's a dear sweet mere child of a girl, you know, and she doesn't bray like a jackass."

Well, next they got out a couple of long swords that the duke made out of oak laths, and begun to practice the sword fight -- the duke called himself Richard III.; and the way they laid on and pranced around the raft was grand to see. But by and by the king tripped and fell overboard, and after that they took a rest, and had a talk about all kinds of adventures they'd had in other times along the river.
 
After dinner the duke says:

"Well, Capet, we'll want to make this a first-class show, you know, so I guess we'll add a little more to it. We want a little something to answer encores with, anyway."
 
"I'll answer by doing the Highland fling or the sailor's hornpipe; and you -- well, let me see -- oh, I've got it -- you can do Hamlet's soliloquy."

"Hamlet's which?"
 
"Hamlet's soliloquy, you know; the most celebrated thing in Shakespeare. Ah, it's sublime, sublime! Always fetches the house. I haven't got it in the book -- I've only got one volume -- but I reckon I can piece it out from memory. I'll just walk up and down a minute, and see if I can call it back from recollection's vaults."

So he went to marching up and down, thinking, and frowning horrible every now and then; then he would hoist up his eyebrows; next he would squeeze his hand on his forehead and stagger back and kind of moan; next he would sigh, and next he'd let on to drop a tear. It was beautiful to see him. By and by he got it. He told us to give attention. Then he strikes a most noble attitude, with one leg shoved forwards, and his arms stretched away up, and his head tilted back, looking up at the sky; and then he begins to rip and rave and grit his teeth; and after that, all through his speech, he howled, and spread around, and swelled up his chest, and just knocked the spots out of any acting ever I see before. This is the speech -- I learned it, easy enough, while he was learning it to the king:
 
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